Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea’s colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea’s colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
This collection examines literature and film studies from the late colonial and early postcolonial periods in Taiwan and Korea, and highlights the similarities and differences of Taiwanese and Korean popular culture by focusing on the ...
Memorandum from Henry Costanzo, August 16, 1956, RG 469, box 46, file Trade— import/Exports, national Archives and Records Administration (hereafter nARA); Letter from Korean Tire Association, 1959, RG 469, box 104, ...
Cold War Friendships explores the plight of the Asian ally of the American wars in Korea and Vietnam.
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades.
46 Within a month, Levin sent out invitations to Hong Kong, Thailand, Taiwan, the Philippines, and South Korea ... Harry H. Pierson, the TAF-Bangkok representative, arranged a special screening of the Thai film The Diamond Finger, ...
Hieyoon Kim has written an extraordinarily captivating account of the film workers, educators, intellectuals, and radical film activists in Cold War South Korea who dreamed of a better world and struggled to achieve democracy through cinema ...
... 162–63,477 Operation Thunderbolt, 223 Oppenheimer, J. Robert, 85, 96 Organization for European Economic Cooperation, 277 Orlov, Andrei, 188 Ostapenko, Yu. A., 3 Outer Mongolia. See Mongolia Overy, Richard, 344 P-51 fighters, ...
This is an original and engaging study with broad scholarly and popular appeal."—Carter J. Eckert, author of Park Chung Hee and Modern Korea "Although following Han Hyung-mo’s corpus of works, Cold War Cosmopolitanism is not a ...
Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references.