On today's feature films and commercials, visual effects are achieved using a wide array of tools and techniques, often combining camera techniques with computer-rendered images. This book presents a unique approach to the subject through the direct experiences of noted artists from the feature film, television and commercial realm.
The book is divided into two parts. Part one explores the historical background, including such tools as double exposure, in-camera mattes, miniature photography, Schufftan-technique, front and rear screen projection, Introvision, color difference mattes, motion control and other building blocks that have brought visual effects to its current status. Part two features a series of in-depth interviews with noted artists covering feature film, television, and commercial projects. The reader will learn how these technicians developed their tools and talents, including education, experimentation and development of their craft. The chapters will explore their approaches to various challenges in the projects they've worked on. Subjects such as blue/green screen, motion control, number encoding, plate photography, as well as miniature and creature design and implementation are only some of the areas that are covered. The artists also discuss how they work with the director of photography, how they document the set, production work, preparation for post production, as well as design and development of various composite elements. In addition to the techniques employed on various projects, the artists discuss specific shots that succeed and others they wish they could do over, and how they would undertake them the second time.
Extras: This film sparks another film, unnamed, that unspools like this: Theytell methat the big metal box in the other room is the Recording Machine. It sits empty, with nooneto enter itand run it. Its smooth metal casing isblood ...
... Steve JACK THE BEAR SCHINDLER'S LIST SEARCHING FOR BOBBY FISCHER Zieger , Ulrich FARAWAY , SO CLOSE Ziehm , Howard T. FLESH GORDON MEETS THE COSMIC CHEERLEADERS Alesch , Stephen MATINEE Allen , Linda TWENTY BUCKS Alshams , Sharon E.
Armour of God ( 1986 ; Hong Kong , Ac , Cm ) D : Jackie Chan C : Jackie Chan , Alan Tam , Rosamund Kwan , Lola Forner , Bozidar Smiljanic In this flamboyant actioner - clearly inspired by Raiders of the Lost Ark - Chan plays Asian Hawk ...
... WOMAN INTO CINEMA Janet McCabe MELODRAMA : GENRE , STYLE , SENSIBILITY John Mercer and Martin Shingler FILM PERFORMANCE : FROM ACHIEVEMENT TO APPRECIATION Andrew Klevan NEW DIGITAL CINEMA : REINVENTING THE MOVING IMAGE Holly Willis ...
Edward Hudlin maintains that the book follows very closely the structure of the heroic myth as outlined by Joseph Campbell ... Carol Pearson and Katherine Pope look at Dorothy's adventures from a mythological and feminist perspective.19 ...
7 Someone whom Whale liked and admired was Hell's Angels screenwriter Joseph Moncure March , and Whale talked to Pearson about the possibility of March writing the screenplay . Pearson agreed but March was under contract to Howard ...
From January 1 to December 31 of 1927, the entries in this book cover every major news event—national and international—of this pivotal year in history.
Hollywood's Greatest Year Thomas S. Hischak. Published by Rowman & Littlefield A ... British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Hischak, Thomas S. author.
And although many 1991 films by black male directors about black men's lives emphasize families and masculinities as well — Boyz n the Hood ( John Singleton ) , Straight Out of Brooklyn ( Matty Rich ) , Jungle Fever ( Spike Lee ) —the ...
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