Taking photographs has become easier over the years, but taking photographs that have impact and lasting power has not. Such images require heart, and some understanding of the factors that make an image noteworthy. Perception and Imaging, Second Edition will lead you into areas and concepts that will spark your intellectual curiosity and assist you in your image making. What is known about vision and the visual process is overwhelming; what is directly applicable to pictures is not. Perception and Imaging, Second Edition is the visual artist's gateway to the principles that drive visual perception.
Perception and Imaging, Second Edition invites you to explore the domain of the subconscious and collective unconscious, and the role subliminals, secondary images, and archetypes play; the role of memory and association, and why ambiguity and illusion are an important components;
why soft and hard contours (edges) are critical to sharpness, contrast, color, and depth perception; and how visual rhetoric has been used to give impact to photographs, advertisements, posters, promotional material, and motion pictures. Perception and Imaging, Second Edition is for anyone and everyone involved with visual images and has a desire to better understand them.
Many examples of metaphor, metonymy, paradox, pun, homology, hyperbole, ellipses, inversion chiasmus, allusion, and other rhetorical devices.
A new enlarged section on color, with 15 new color images presenting color measurement and notation, color connotations, color illusions, color constancy, color synesthesia, metamerism, and defective color vision.
The chapter on Critique has been expanded to include the use of Group Dynamics. Photographs are polysemantic, possessing layered meanings.
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... 圆筒型、方口型和花瓣型三种(图 5-7-5 ) ,其中圆筒型和花瓣型最为常见。花瓣型一般用于广角镜头,其上下伸出较长,左右伸出较短,主要避免使用广角镜头时在矩形画面四周上形成暗角。而长焦镜头由于视角较小,更多采用圆筒型遮光罩。
另一钟情模糊的摄师是摄罗贝尔·马奇,他自1894 年开尝试利用树胶重络盐相工艺来制面的清。那些看模糊的,已经把“不必要和味感”的细节消除掉。马奇认为,一件艺术品必须是自然的照,而不是自然的翻。自然本的美,不成为艺术品,艺术品只通过艺术的创作来成。
面3张照片都属于光线运用得当的照片,但是们的光线不同。 1张照片从正面照向人物,面整体色彩,阴常,给人一明快的感觉。 2张照片中,光线从侧面照人物上,在另一侧产生了一些阴。 1张照片对,可看这光对让人物的面五变得体了许多。 3张照片中,光线来自于人物后, ...
本书是作者凭借对摄影的熟稔理解,总结的面向普罗大众的摄影关键词句梳理,含观察、构图、光线、色彩、技术、审美的几大部分。全书浅显易懂,对于提升普通人视觉素养,尤其 ...
本书分为为了遇见、麦穗的梦想、不说永远、被搁置的时光、握不住的沙五部分,给予拍摄者拍什么如何拍的灵感,给予读者读图读什么的启发,感悟摄影之道、悦图之道。
A journey behind the scenes into the high-tech world of audio production for television and film. Professionals reveal how dialogue, sound effects and musical scores are recorded, edited and assembled...
本书是国内高等学校摄影基础课程教材,专门针对艺术、理工、文史、政法等专业的学生素质教育所编写。本书由曾多次获得教育部教材大奖的陈勤老师和数码影像专家曲阜贵老师主编,集中了当今数码摄影的最新发展理论,并结合了摄影专业教学的实践成果。本书采用理论与实际结合、图片与文字对照的编写方式,具有通俗易懂、简便易行的优点,便于学生“学用结合、技艺兼修”的需要。本书内容主要包括摄影基础原理和方法、摄影器材知识、常用摄影技法技巧和主要应用类型等知识。本书可作为国内本科院校、高职高专院校、成人继续教育院校、职业中专学校的摄影课程教材,也可作为从事摄影摄像工作的专业人员和广大爱好者自学研究的培训教材和参考书。
本教材集中了当今数码影像的最新理论和科学技术,并结合摄影摄像专业教学的实践成果来编写。教材内容主要有摄影摄像器材及操作使用、常见题材实战拍摄、影像后期编辑等知识,从基础知识到实用技艺、从前期拍摄到后期制作、从技术操作到佳作欣赏等,都有简明精彩的介绍。
本书是国内高等学校摄影基础课程最新教材,专门针对艺术、理工、文史和政法等专业的学生素质教育所编写。本教材由曾多次获得教育部教材大奖的陈勤、吴华宇和数码影像专家曲阜贵等老师主编,集中了当今数码摄影的最新发展理论,并结合摄影专业教学的实践成果编写。教材采用理论与实际结合、图片与文字对照的编写方式,具有通俗易懂、简便易行的优点,可满足学生“学用结合,技艺兼修”的需要。教材内容主要有摄影基础原理和方法、器材知识、常用摄影技艺技巧和主要应用类型等知识。本书可作为国内本科院校、高职高专院校、成人继续教育院校、职业中专学校的摄影课程教材,也可作为从事摄影、摄像工作的专业人员和普通人自学的培训教材和参考用书。