Edward the Confessor, the last great king of Anglo-Saxon England, canonized nearly 100 years after his death, is in part a figure of myths created in the late middle ages. In this revealing portrait of England's royal saint, David Woodman traces the course of Edward's twenty-four-year-long reign through the lens of contemporary sources, from the Anglo-Saxon Chronicle and the Vita Ædwardi Regis to the Bayeux Tapestry, to separate myth from history and uncover the complex politics of his life. He shows Edward to be a shrewd politician who, having endured a long period of exile from England in his youth, ascended the throne in 1042 and came to control a highly sophisticated and powerful administration. The twists and turns of Edward's reign are generally seen as a prelude to the Norman Conquest in 1066. Woodman explains clearly how events unfolded and personalities interacted but, unlike many, he shows a capable and impressive king at the centre of them.
Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers in a collectible format. The cultural richness of the reign of Edward the Confessor marks the high point of Anglo-Saxon England.
The new king obtained the backing of his former rivals, the brother earls Eadwine and Morcar, by taking their sister, Ealdgyth, as his queen, abandoning his existing wife, Edith Swan-Neck, in order to do so.1 With Harold's rule ...
An authoritative life of Edward the Confessor, the monarch whose death sparked the invasion of 1066 One of the last kings of Anglo-Saxon England, Edward the Confessor regained the throne for the House of Wessex and is the only English ...
Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers in a highly collectible format
Drawing on unpublished material, notably correspondence with his most loyal (though much tried) supporter Winston Churchill, Piers Brendon's superb biography traces Edward's tumultuous public and private life from bright young prince to ...
The resulting violence that spread throughout England was not, or not only, the work of bloodthirsty men on the make.
Edmund King's engrossing portrait shows a strikingly charismatic, intelligent and fortunate man, whose rule was looked back on as the real post-conquest founding of England as a new realm: wealthy, stable, bureaucratised and self-confident.
But, as John Gillingham makes clear in this elegant book, as the son and successor to William the Conqueror it was William Rufus who had to establish permanent Norman rule.
He was loathed in his own time for the never-confirmed murder of his young nephews, the Princes in the Tower, and died fighting his own subjects on the battlefield. This is the vision of Richard we have inherited from Shakespeare.
How much of the roots of this disaster were to be found in James's reign is one of the many problems dramatized in Thomas Cogswell's brilliant and highly entertaining new book.