Peking Opera and Politics in Taiwan tells the peculiar story of an art caught in a sea of ideological ebbs and flows. Nancy Guy demonstrates the potential significance of the political environment for an art form's development, ranging from determining the smallest performative details (such as how a melody can or cannot be composed) to whether a tradition ultimately thrives or withers away. When Chiang Kai-shek's Nationalist government and military retreated to Taiwan in 1949, they brought along numerous Peking opera performers. Expecting that this symbolically important art would strengthen regime legitimacy and authority, they generously supported Peking opera's perpetuation in exile. Valuing mainland Chinese culture above Taiwanese culture, the Nationalists generously supported Peking opera to the virtual exclusion of local performing traditions, despite their wider popularity. Later, as Taiwan turned toward democracy, the island's own "indigenous" products became more highly valued and Peking opera found itself on a tenuous footing. Finally, in 1995, all of its opera troupes and schools (formerly supported by the Ministry of Defense) were dismantled.
'History of Theoretical Research on Biscriptality'. In Daniel Bunčić et al. (eds), Biscriptality: A Sociolinguistic Typology. Heidelberg: Universitätsverlag Winter, 27–50. Chambers, Jack K. and Peter Trudgill. 1998. Dialectology.
1–40; Karen Ross (2002) Women, Politics, Media: Uneasy Relations in Comparative Perspective (Cresskill, NJ: Hampton Press); John Healey, Mark Gill and Declan McHugh (2005) MPs and Politics in our Time (London: Dod's Parliamentary ...
The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
"Explores the themes of opera, city, and space in the context of the extensive theatrical reform movement that took place in China in the twentieth century.
... Taiwan during the colonial period . 26 Gates , ' Ethnicity and Social Class ' , 241 . 27 In correspondence with the ... Peking Opera held the title of national opera until the Lee Teng - hui era ... Taiwanese democracy decline during the.
Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions. ... In The Oxford Handbook of Music and Queerness, edited by Fred Maus and Sheila Whitely, 539–558.
This volume presents the first translation of Wu Han's plays and helps to clarify the obscure origins of a national phenomenon that was at once intellectual, social, and political.
... Peking Opera and Political Authority in Taiwan.” Ethnomusicology 43 (3): 508–526. Guy, Nancy. 2005. Peking Opera and Politics in Taiwan. Champaign: University of Illinois Press. Hatfield, D. J. 2010. Taiwanese Pilgrimage to China ...
Some output examples of this phase might include personas, strategic frameworks, behavioral mappings, UX roadmaps, ... in successful Foundational UX Research projects, and the continued positioning of UX Research as a strategic partner ...
Relying on materials uncovered by in the First Historical Archives in Beijing, the author investigates the development of imperial drama and its influence on Peking Opera, as well as the function and system of the Nanfu (later Shengpingshu) ...