Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
As far as we know, the individuals who carved 300 atal and placed them in Central African forests were concerned ... with the arts of the Pacific, especially in Tahiti and the Marquesas; Pablo Picasso's embrace of African arts in the ...
One way of normalizing and celebrating African modernism as an authentic African art form is to look for a way to ... the fact that modern art was first taught in colonial schools, is reframed as mostly a non-active background factor.
Muslim proselytizing and the advent of the modern state have in equal measure undercut the old art forms and patronage ... to an African artist and audience is frequently reframed by the Western spectator as parody, or quaint naiveté.
Bennetta Jules-Rosette is a Distinguished Professor of Sociology and Director of the African and African-American Studies ... Baker in Art and Life: The Icon and the Image (University of Illinois Press, 2007), and African Art Reframed: ...
Perhaps the greatest of these complications is the contrast between the small cadre of African artists and ... far away is similarly papered over and reframed: in Western art collectors' jargon, an object “comes out” (of Africa), ...
After acknowledging that European artists had brought aesthetic recognition to West African art, Locke reframed the meaning of African art in the history of world culture. “To possess African art permanently and not merely as a passing ...
31–53, reproduced online in the Journal of Art Historiography, 6 (2012) (arthistoriography.wordpress. com/(accessed ... 7 Sheila S. Blair and Jonathan M. Bloom, “The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field,” ...
Christine Mullen Kreamer, National Museum of African Art, Washington, D.C. The Past as Prologue The importance of object ... Though the museum's collecting mandate was reframed to focus exclusively on the arts of Africa, its mission was ...
Reflections on Art and Difference Alexandra M. Kokoli ... Gertrude Stein appropriated for a transgressive black women's modernity is to forge a new space in which intellectual and performer, from different places in American culture, ...
Like the popular eighteenth-century poet Rousseau, this Renaissance-era African ivory salt cellar base today serves as a ... points up the role such reframed arts sometimes play in conveying core art historical issues of place, time, ...