Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil.
Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. León, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.
This book is a very significant contribution to the question of protecting traditional cultural expressions. . . It is filled with fascinating ideas and perspectives that challenge the reader to rethink the law once again.
New York, NY: Columbia University Press. Savage, R. W. H. (2010). ... Because of the diversity of its styles, highlife is often appended to terms that describe specific instrumentation or stylistic influence. These include brass band ...
This is not just a vital book about the arts, but a vital book about democracy." —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed. .
This book was originally published as a special issue of The International Journal of Cultural Policy.
monitoring body, the Human Rights Commi ee, does not appear to have explored the extent to whi the provision protects musical expression (Vrdoljak 2008, 60). We do, however, find evidence of music considered as an element of cultural ...
Dangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present).
“Music and Human Rights: The AfroReggae Cultural Group and the Youth from the Favelas as Responses to Violence in Brazil.” In Music and Cultural Rights, edited by Andrew N. Weintraub and Bell Yung, pp. 219–240.
International Journal of Research into Media Technologies, 27(4), 1092–1111. ... UK artists and managers have already lost over $60m due to coronavirus lockdown. ... Research methods for arts and event management. Pearson Education.
Cultural Rights as Collective Rights offers a comprehensive analysis of the conceptualisation and operationalisation of collective cultural rights in distinct areas of international law.
'Music'. to. Cultural. Rights. Elizabeth Burns Coleman and Rosemary J. Coombe with Fiona MacArailt Introduction Issues involving the appropriation of intangible cultural heritage have attracted new attention in the last decade, ...