Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
New York: Norton, 1997. ———, ed. Readings in Black American Music. 2nd ed. New York: Norton, 1983. Standifer, James A. Porgy and Bess: An American Voice. Directed by Nigel Noble. Narrated by Ruby Dee. Films for the Humanities and ...
The author critiques the depictions of multiracial Americans in contemporary culture.
Documents the changes in approaches to gender in opera in the early 19th century.
Clifford D. Panton Jr., George Augustus Polgreen Bridgetower, Violin Virtuoso and Composer of Color in Late Eighteenth-Century Europe (Lewiston: Mellen Press, 2005); Josephine Wright, “George Polgreen Bridgetower: An African Prodigy in ...
The adventures of a little boy in the city on a very snowy day. On board pages.
Anderson, My Lord, What a Morning; Keiler, Marian Anderson; Jones, Marian Anderson. 69. Quoted in Keiler, Marian Anderson, 30. 70. Keiler, Marian Anderson, 47–48. 71. London seemed friendlier for blacks. Anderson's longtime friend and ...
"One of the most inspiring stories I've come across in a long time.
A satirical approach to debunking the myths of white supremacy and racial purity, this 1931 novel recounts the consequences of a mysterious scientific process that transforms black people into whites.
These are but two recent examples of a centuries-long history in which black life has been pitted against animal life.
In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can ...