Prodigy. Iconoclast. Genius. Exile. Orson Welles remains one of the most discussed figures in cinematic history. In the centenary year of Welles's birth, James Naremore presents a revised third edition of this incomparable study, including a new section on the unfinished film The Other Side of the Wind . Naremore analyzes the political and psychological implications of the films, Welles's idiosyncratic style, and the biographical details--both playful and vexing--that impacted each work. Itself a historic film study, The Magic World of Orson Welles unlocks the soaring art and quixotic methods of a master.
From early plays in school to the Everybody's Shakespeare books and the Mercury Text Records adaptations, Anderegg illustrates how Welles tried to transcend the barriers between the classical and the popular.
Rosenbaum, Discovering Orson Welles; James Naremore, The Magic World of Orson Welles, Centennial Anniversary Edition (Urbana: University of Illinois Press, 2015);Joseph McBride, What Ever Happened to Orson Welles: A Portrait of an ...
One of the epigraphs to Simon Callow's Orson Welles, Vol 3: One Man Band (New York: Viking, 2015) is from Whitman's Song of Myself, and in several places throughout the volume, he makes brief but eye-opening comparisons of Welles and ...
He disliked the script, which he described to Michel Ciment as 'dumb' and 'rarely faithful to what is known about Spartacus', who had twice led his victorious army to the borders of Italy and could have easily escaped: 'What the reasons ...
James Naremore compiles other instances of this charge in The Magic World of Orson Welles (New York: Oxford University Press, 1978), 45–46. Andrew Sarris weighs in on the same topic in “Citizen Kane: The American Baroque,” in Gottesman, ...
"This book analyses Cary Grant's performances in a gallery of his best films, arguing that he not only had exceptional skill but also greater range than is usually recognized.
James Naremore's study of Max Ophuls' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film's many contributors--among them Viennese author ...
74. Henry Roth , " On Being Blocked & Other Literary Matters : An Interview , ” Commentary , August 1977 , p . 35. On the realist aesthetic of the critics , see James F. Murphy , The Proletarian Moment : The Controversy over Leftism in ...
Agee, James. Agee on Film. Vol. 1. New York: McDowell, Obolensky, 1958. Alton, John. Painting with Light. Berkeley: University of California Press, 1995. Andersen, Thom. “Red Hollywood.” In Literature and the Visual Arts in Contemporary ...
In The Magic World of Orson Welles James Naremore remarks that the great variety among the types of people and occupations on display in this shot contributes to our impression of diversity (Naremore, p.¡57). Music originating from the ...