Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.
For example , in “ Towards a Critical Theory of Third - World Films , ” Teshome H. Gabriel formulates a postcolonial film theory influenced by Frantz Fanon's work on decolonization and outlines three phases in postcolonial filmmaking .
O autor analisa em 'Multiculturalismo Tropical' o percurso do cinema brasileiro no tratamento das questões étnicas e raciais. Discute, entre outros temas, como foram construídas as imagens do negro e...
For a treatment of the historical connection between economy and moral discourse, see Joyce Oldham Appleby, ... Thomas O. Beebee, Clarissa on the Continent (University Park: Pennsylvania State University Press, 19 90), 73. 44.
The central plot device is a large St. Bernard dog , Cujo , who apparently becomes possessed by the persona of a dead “ mad strangler , " Frank Dodd , and turns rabid . Through a series of unfortunate events , Tad and his mother are ...
"This book introduces the reader to basic issues related to the phenomenon of American cinema.
James T. Sears, Rebels, Rubyfruit, and Rhinestones: Queering Space in the Stonewall South (New Brunswick, N.J.: Rutgers University Press, 2001), 319. 15. Wesley Chenault and Stacy Braukman, Gay and Lesbian Atlanta (Charleston: Arcadia, ...
In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced.
Viewing cross-cultural differences through the lens of cinema.
Film, Form, and Culture
Dream Factories of a Former Colony: American Fantasies, Philippine Cinema