Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.
These essays address important questions about the uneven forces–geographic, economic, political, psychological, textual, and experiential–that underscore a non-linear approach to film history.
The film begins with Max, a young inventor, working on the fabrication of a “seeing-at-adistance” apparatus that could allow people to see one another while talking over the telephone. Unwilling to talk to anybody and never leaving his ...
1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants.
In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture.
In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema.
" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with ...
"--Bill Nichols, author of Introduction to Documentary and Representing Reality "This is a marvelous book, free of cant and jargon, by one of the most distinguished and reflective nonfiction filmmakers in the world today.
Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and ...
Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the ...
UCLA Film and Television Archive: http://cinema.library.ucla.edu/vwebv/searchBasic ... Jean Desmet Blom, Ivo, Jean Desmet and the Early Dutch Film Trade (Amsterdam: Amsterdam University Press, 2003). Josef Joye Cosandey, Roland, ...