These essays break with many of the givens of traditional feminist film theory and examine the work of directors outside the canon, including Kathryn Bigelow, Jane Campion, Rainer Werner Fassbinder, and Martin Scorsese. Kiss Me Deadly offers a refreshing emphasis on new theoretical perspectives as well as new interpretations of old ones.
... construction of readers as passive spectators , 275 ; social aspirations of ads , 280–81 ; and transformation of self - making to stress personality rather than character , 282 Fanon , Frantz : The Wretched of the Earth , 105 fans ...
Fireflies Issue #5 pairs a living legend of French cinema with an artist yet to receive due recognition outside of her native Germany, despite being one of the country's pre-eminent cineastes.
Essays and autobiography from one of the pioneers of feminist film theory. ldquo;This collection of writings by B. Ruby Rich is sure to become a classic.
... The New Orleans Review , 19/2 ( 1992 ) , 52-8 ( “ Monstrous Identity : Female Socialization in El espíritu de la colmena ' ) ; and George Cabello - Castellet , Jaume Martí - Olivella , and Guy H. Wood ( eds . ) ...
With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as ...
"Everyone intrigued by the verve of Dorothy Porter's life and work will love this book.
This collection of essays deals directly and compellingly with contemporary issues in African cinema.
In this volume, artist Rachel Rose has produced an innovative work that extends and adds to the essay's frame of reference.
This collection demonstrates the diverse legacy of feminist film studies.
In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic offers a radical countertheory to Freudian and Lacanian approaches to film and the issue of sexual difference.