From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and the 1950s off-spring of R & B, rock 'n' roll. Operated by families or individuals, often on the fringe of mainstream culture, these labels fostered America's musical voice by discovering original artists who would become giants of popular culture.
Small labels, big sounds The rise of jazz during the 1920s was in sync with the founding of small independent labels aimed at urban and rural audiences, partly black.207 Harry Gennett, the owner of Indiana's Piano Store, led this wave ...
Along with writing pop hits in 1956 for Ruth Brown and the Drifters, two R&B acts on Atlantic Records, they found success as ... Their first assignment was to write and produce songs for the Coasters (whose lead singer, Carl Gardner, ...
"Chasing Sound is a welcome addition to a growing literature illuminating the history of sound recording. . . . What makes the book unique are the author's interviews with dozens of engineers and producers.
... Genealogies for the Present in Cultural Anthropology (New York: Routledge, 1996), 9–40; Regna Darnell, Invisible Genealogies: A History of Americanist Anthropology (Lincoln: University of Nebraska Press, 2001); Zora Neal Hurston, ...
Kennedy, Rick, and Randy McNutt (1999), Little Labels - Big Sound: Small record Companies and the Rise of American Music.Bloomington: Indiana University Press. King, Richard (2012), How Soon Is Now? The Madmen and Mavericks Who Made ...
Philadelphia was an ideal “home away from home” and eventually became the Birds' permanent base and home to their ... as singing waiters at a downtown hotel, a common attraction in Jacksonville and many southern hotels at the time.
It featured R. H. “Pop” Harris, James Medlock, Senior Roy Crain, Thomas L. Bruster, R. B. Robinson, and Jesse James Farley.7 The quartet's first Aladdin single, released in late June or early July 1946, coupled the spiritual “Steal ...
pessimistic, concluding that the Gribble, Lusk, and York trio formed the last remaining black string band ... Joe Thompson continues to perform string band styles he learned from older relatives in the North Carolina Piedmont area.
Erskine Caldwell, Tobacco Road (New York: Charles Scribner and Sons, ... many of the rural drama skits discussed in John Minton, 78 Blues: Folksongs and Phonographs in the American South (Jackson: University Press of Mississippi, 2008).
King, A.L. (1963) Some British Collectors of Music, c. 1600–1960, Cambridge: CUP. Shuker, R. (2010) Wax Trash and Vinyl Treasure: Record Collecting as a Social Practice, Aldershot: Ashgate. Viewing: High Fidelity (2000) Feature film; ...