European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.
Axtell , “ The White Indians . ” The American literary tradition of the " captivity narrative ” from which The Searchers derives : see Kolodny , “ Among the Indians . ” On the historical background of actual captivity in the Texas ...
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... and we recognized the meadows beside the river where an extremely nervous Flora Robson, in the stiff robes and ruff ... to carry Marguerite to Dover I idly wondered what they'd done that morning with the cats, all hundred of them, ...
Gibson considered himself Australian , but actually he was born in Peekskill , New York , where his father was a railroad brakeman . His grandmother was Australian though , a former opera singer , Gibson said , so when Gibson's father ...
0 0 American director David Lynch went one step further. His debut film Eraserhead depicts Lynch's nightmarish fears about fatherhood and his disgust at the industrial city he was living in when making the film. However, Lynch does not ...
This highly original and informative guide to the origins and development of film theory will be an indispensable tool for all students.
Since The Little Book of Hollywood Cliches was first published the author has been flooded with new contributions and, along with some of his own insights, has combined the best of old and new in this expanded compendium of movie cliches, ...
Professors and students can use it as a text and/or a reference book. Essentially, what makes this volume unique from is that it brings together examples of film projects and film studies courses within the framework of research skills.
Agee was particularly perceptive about the work of his friend John Huston and recognized the artistic merit of certain B films such as The Curse of the Cat People and other movies produced by Val Lewton.
Named & Shamed is guaranteed to make you laugh at least once per page and will appeal greatly to the general reader and in particular to all film fans.