Interdisciplinary perspectives on landscape, from the philosophical to the geographical, with an emphasis on the overarching concept of place. This volume explores the conceptual "topography" of landscape: It examines the character of landscape as itself a mode of place as well as the modes of place that appear in relation to landscape. Leading scholars from a range of disciplines explore the concept of landscape, including its supposed relation to the spectatorial, its character as time-space, its relation to indigenous notions of "country," and its liminality. They examine landscape as it appears within a variety of contexts, from geography through photography and garden history to theology; and more specific studies look at the forms of landscape in medieval landscape painting, film and television, and in relation to national identity. The essays demonstrate that the study of landscape cannot be restricted to any one genre, cannot be taken as the exclusive province of any one discipline, and cannot be exhausted by any single form of analysis. What the place of landscape now evokes is itself a wide-ranging terrain encompassing issues concerning the nature of place, of human being in place, and of the structures that shape such being and are shaped by it.
Rather than stand as an encyclopedia, catalog, or history of the visual arts in Louisiana, Kemp's book is instead a celebration of the state's evocative landscape in the work of accomplished contemporary artists.
These included Yi-Fu Tuan, David Lowenthal, Clarence Glacken, and Edmunds Bunkse, and their work has been furthered by a following generation of geographers, not all of whom are humanistic, including Denis Cosgrove, Steve Daniels, ...
For the close link between Luminism and the panorama , see Novak , Nature and Culture , p . 29 : “ Significantly , the luminist artists duplicated the horizontal extensions of the panorama in their pictures ' proportions .
Articles by Morphy and Layton annotated separately.
This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities.
... Thomas H., 111,158 environmentalism, campus, 9, 50, 59–63, 80–86, 87, 148 Ernest Richardson Creek, 76, 77, 81 Evans, Lettie Pate Whitehead, 182 Evans Hall, 154 Fanning, O.O., 10 Few, Ignatius Alphonso, 11, 21, 23 Few Index 231.
... the first of which explores the impact of Moravian Missionaries on Native American populations and the interactions of both groups with their shared natural world (Sarah Eyerly, Moravian Soundscapes: A Sonic History of the Moravian ...
Spafford also provides the first historical account in English of medieval castle building and the castellan revolution of the late fifteenth century, which militarized the countryside and radically transformed the exercise of authority ...
Geographical Imaginations, Oxford: Blackwell. Hale, C. (2006). 'Activist research v. cultural critique: indigenous land rights and the contradictions of politically engaged anthropology', Cultural Anthropology 21 (1): 96–120.
Spirit of Place offers a panoramic view of the British landscape as seen through the eyes of writers and artists from Bede and the Gawain-poet to Gainsborough, Austen, W. G. Sebald and Barbara Hepworth.