Winner of the 1994 Lewis Mumford Prize given by the Society for American City and Regional Planning History (SACRPH). Christine Boyer faces head-on the crisis of the city in the late twentieth century, taking us on a fascinating journey through theaters and museums, panoramas and maps, buildings and institutions that are used to construct a new reading of the city as a system of representation, a complex cultural entity. Boyer brings together elements and concepts from geography, critical theory, architecture, literature, and painting in a synthetic and readable work that is broad in its reach and original in its insights. What finally emerges is a sense of the city reinvigorated with richness and potential. The City of Collective Memory describes a series of different visual and mental models by which the urban environment has been recognized, depicted, and planned. Boyer identifies three major "maps": one common to the traditional city—the city as a work of art; one characteristic of the modern city—the city as panorama; and one appropriate to the contemporary city—the city as spectacle. It is a richly illustrated and documented study that pays considerable attention to the normally hidden and unspoken codes that regulate the order imposed on and derived from the city. A wide range of secondary historical literature and theoretical work is considered, with evident debts to structuralist analysis of urban form represented by Aldo Rossi, as well to much post-structuralist criticism from Walter Benjamin to the present.
Inspired by the “Arcades Project,” Benjamin's effort to view Paris as the layered remains of accumulated pasts, Boyer explores in this excerpt the modern city as a text and context of collective memory, in which and on which multiple ...
Index About the Author Arthur G. Neal , formerly Distinguished University ... 160 Arkansas National Guard , 118 Arlington Cemetery , 108–9 , 204 , 205 Armstrong , Neil , 143 , 144 Army of God , The , 166 Assassinations .
35 More recently , the same deterioration of shared memory has occurred regarding the " Battle of the Alamo , " the 1836 siege of ... The City of Collective that in premodern societies authoritative stories about the past often Part I. 21.
Introduction In this chapter, we consider the city as a space in which the collective memory of important events of the past are represented. Hostilities that a country has lived through hold a special place in people's memory.
The city is the locus of the collective memory. The relationship between the locus and the citizenry then becomes the city's predominant image, both of architecture and of landscape, and as certain artifacts become part of its memory, ...
These urbane and polite aspects of embodied collective memories grew with cities, and with the burghers, the “city dwellers.” The requisite to commit excretory functions to the backstages grew as city crowds grew.
Collective. Memory. The ancient history of peoples, as it is lived in their traditions, is entirely permeated with religious ideas. But we can also say of every religion that it reproduces in more or less symbolic forms the history of ...
Introduction in Culture and Psychology, Vol. 8, no.1, March. Brown, M. E. (2001). William Motherwell's Cultural Politics, Lexington: Kentucky University Press. Brunskill, I. (2005). Great Lives, London: Times Books, HarperCollins.
The spatiality of collective memory and the importance of specific places and landscapes in framing the nation's history clearly occupy a central role . ' Memories often cleave to ... They give form to a city's history and identity .
"Time Maps extends beyond all of the old clichés about linear, circular, and spiral patterns of historical process and provides us with models of the actual legends used to map history.