A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Happy Tears.
In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop as a reaction to the high-culture pieties of abstract expressionism. Instead, Bader sees Lichtenstein's work as motivated by the forces of "unoriginal originality"--Lichtenstein's discovery that he could make art by "borrowing" from other images--and "disembodied bodies"--his use of flattened and schematic forms to reinvigorate figurative painting. Bader argues that 1961's Look Mickey, Lichtenstein's inaugural pop work, established a template for the tension between embodiment and disembodiment that animates much of his 1960s practice: between an evacuation of sensory experience, on the one hand, and a repeated focus on emphatic bodily acts (squeezing, kissing, crying, etc.) on the other. A similar dialectical friction exists between Lichtenstein's process and product: consistently hand-painted canvases that increasingly feign the look of industrial production. Hall of Mirrors moves chronologically, beginning with Lichtenstein's studies at Ohio State University and late-'50s moves toward pop, through his seminal canvases of the early 1960s, to his late-'60s experiments across sculpture, painting, installation, and film. The book ends with an examination of Lichtenstein's Mirror paintings of 1969-72. These little-discussed works, Bader argues, exemplify Lichtenstein's late-'60s shift of focus to the embodied experience of his own viewers--and thus culminate and conclude his practice of the decade.
Booth, John. 1985. The End and the Beginning: The Nicaraguan Revolution. Boulder: Westview. Booth, John, and Thomas W. Walker. 1989. Understanding Central America. Boulder: Westview Borge, Tomás. 1984. Carlos, the Dawn Ls No Longer ...
Examining selected societies in Africa, Asia, Europe and the Americas, this uniquely designed history discusses political and economic issues; marriage practices, motherhood, and enslavement; religious beliefs and spiritual development.
我们选择刘宋政权的建立来了解一下这一程序及其政治传播功能。宋的建立者刘裕,本是东晋北府兵的一名将领,东晋后期权臣桓玄反叛,废晋安帝自立,刘裕站在东晋王朝一边,率兵攻灭桓玄,恢复了东晋王朝,使安帝得以复位。
Vinny DeMarco might be a latter-day Don Quixote except that he tilts his lance at real obstacles to social justice: lobby-locked state legislatures and Congress, stonewalling the public will. And...
Election years pose a unique opportunity and challenge to nonprofit organizations and community groups as they struggle to advance their issues in a crowded news environment, and amplify the voices...
"For years, political scientists have told their students that it doesn't make a difference whether they vote because one vote won't make a difference. This book is antidote to that...
The myth of generations of disengaged youth has been shattered by increases in youth turnout in the 2004, 2006, and 2008 primaries. Young Americans are responsive to effective outreach efforts,...
The Road to Democracy project is a chronological analysis of four decades - 1960-1970, 1970-1980, 1980-1990, 1990-1994, bearing in mind the four areas of focus above and the following themes...
Political parties and interest groups have been important to understanding who gets what in American politics for many years. The traditional view was that political parties were concerned with winning...
While interest groups have long been at the center of the study of American politics, most explorations of their influence have tended to dwell on lobbying. When political scientists do...