The history of a pioneering era in computer-based art too often neglected by postwar art histories and institutions.
Technological optimism, even utopianism, was widespread at midcentury; in Britain, Harold Wilson in 1963 promised a new nation "forged from the white heat of the technological revolution." In this heady atmosphere, pioneering artists transformed the cold logic of computing into a new medium for their art, and played a central role in connecting technology and culture. White Heat Cold Logic tells the story of these early British digital and computer artists--and fills in a missing chapter in contemporary art history.
In this heroic period of computer art, artists were required to build their own machines, collaborate closely with computer scientists, and learn difficult computer languages. White Heat Cold Logic's chapters, many written by computer art pioneers themselves, describe the influence of cybernetics, with its emphasis on process and interactivity; the connections to the constructivist movement; and the importance of work done in such different venues as commercial animation, fine art schools, and polytechnics.
The advent of personal computing and graphical user interfaces in 1980 signaled the end of an era, and today we do not have so many dreams of technological utopia. And yet our highly technologized and mediated world owes much to these early practitioners, especially for expanding our sense of what we can do with new technologies.
Contributors
Roy Ascott, Stephen Bell, Paul Brown, Stephen Bury, Harold Cohen, Ernest Edmonds, María Fernández, Simon Ford, John Hamilton Frazer, Jeremy Gardiner, Charlie Gere, Adrian Glew, Beryl Graham, Stan Hayward, Grisham Howard, Richard Ihnatowicz, Nicholas Lambert, Malcolm Le Grice, Tony Longson, Brent MacGregor, George Mallen, Catherine Mason, Jasia Reichardt, Stephen A. R. Scrivener, Brian Reffin Smith, Alan Sutcliffe, Doron D. Swade, John Vince, Richard Wright, Aleksandar Zivanovic
皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格,对他来说,第一次印象派画展意义重大,他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生 ...
周... III.1雷诺阿,H.(1841-1919)—生平事迹 2 油画—作品集—法国—近代 IV.1K835.655.722J233 中国版本图书馆CIP数据核字(2004)第051724号© Confidential Concepts, Worldwide, USA © Parkstone PressInternational, New York, USA 书名:莫奈译者:蔡德崑 ...
Currier's Price Guide to European Artists 1545-1945 at Auction: Current Price Ranges on the Original Art of Over 13,000 European...
sexual desire by Bloch . Bloch ( together with Oncle Adolphe ) is very much the bringer of discord , and his revelations , whose truth in terms of detail is unimportant , strike home in the young Marcel , through their attack at the ...
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
This book challenges many lasting misconceptions about nineteenth-century art. It includes a preface by collectors Joey and Toby Tanenbaum and an introductory essay on the collection by Alison McQueen. "
33 André was long presumed to have worked with his father , Alphonse Giroux , a well - known art dealer . In fact , André and his brother , Alphonse - Gustave , bought the firm from their parents in 1838 , making them the sole owners .
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Paul Critchley