How countercultural communities have made the Internet meet their needs, subverting established norms of digital technology use. Whether by accidental keystroke or deliberate tinkering, technology is often used in ways that are unintended and unimagined by its designers and inventors. In this book, Jessa Lingel offers an account of digital technology use that looks beyond Silicon Valley and college dropouts-turned-entrepreneurs. Instead, Lingel tells stories from the margins of countercultural communities that have made the Internet meet their needs, subverting established norms of how digital technologies should be used. Lingel presents three case studies that contrast the imagined uses of the web to its lived and often messy practicalities. She examines a social media platform (developed long before Facebook) for body modification enthusiasts, with early web experiments in blogging, community, wikis, online dating, and podcasts; a network of communication technologies (both analog and digital) developed by a local community of punk rockers to manage information about underground shows; and the use of Facebook and Instagram for both promotional and community purposes by Brooklyn drag queens. Drawing on years of fieldwork, Lingel explores issues of alterity and community, inclusivity and exclusivity, secrecy and surveillance, and anonymity and self-promotion. By examining online life in terms of countercultural communities, Lingel argues that looking at outsider experiences helps us to imagine new uses and possibilities for the tools and platforms we use in everyday life.
The hardcore tech people, like people working at Apple and Intel, were south of San Francisco. San Francisco had a creative ... San Francisco is more like Taylor Swift and the Weekend rather than Soundgarden or Mudhoney or Nirvana.
Thus, most chapters portray over half of the themes, with chapters 6 (Petrie & Darzentas: Digital Technology for Older People), 9 (Rice, Zamanzadeh, & Hagen: Media Mastery for College Students), 7 (Green, Comber, & Kuznesof: A Digital ...
Social Change and Participatory Media Angela J. Aguayo. control. The digital activist communication shift began in ... Struggle for Community, “Looking at counter-cultures' appropriation provides a way of identifying (and critiquing) ...
This volume explores the state of contemporary media research.
To the MIT Press, especially Michael Zimmer, the editorial director Gita Manaktala, Jesus Hernandez and Marcy Ross for guiding me through the publication process in a most helpful way. To Mary Bagg and Patricia Harriman for their ...
How to Reclaim Our Digital Freedom Jessa Lingel. Eubanks, V. 2012. Digital Dead End: Fighting for Social Justice in ... Countercultures and the Struggle for Community. Cam- bridge, MA: MIT Press. . 2020. An Internet for the People: The ...
... Media , Ryan Milner The End of Ownership : Personal Property in the Digital Economy , Aaron Perzanowski and Jason Schultz Digital Countercultures and the Struggle for Community , Jessica Lingel Cyberbullying Policies of Social Media ...
... Digital Countercultures and the Struggle for Community. Cambridge, MA: MIT Press. Mills, C. Wright (2000). The Sociological Imagination. New York: Oxford University Press. Nancy, Jean-Luc (1991). The Inoperative Community. P. Connor (ed ...
... Digital Countercultures and the Struggle for Community. CHAPTER 2 THE MYTH OF THE NEUTRAL PLATFORM Epigraph: Nitasha ... Digital Speech and Democratic Culture”; Godwin, Cyber Rights; Lessig, Code and Other Laws of Cyberspace; Litman ...
... Media , Ryan Milner The End of Ownership : Personal Property in the Digital Economy , Aaron Perzanowski and Jason Schultz Digital Countercultures and the Struggle for Community , Jessica Lingel Cyberbullying Policies of Social Media ...