A new, philosophically grounded theory of the voice—the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object. Plutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this seminal work. The voice did not figure as a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. In A Voice and Nothing More Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). Dolar proposes that, apart from the two commonly understood uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.
In this BIT, the philosopher Mladen Dolar introduces a new, philosophically grounded theory of the voice.
Brynn Gallagher uses her internship at a new true crime show to investigate the unsolved murder of her favorite teacher, uncovering secrets about her school, her teacher, and her ex-best friend in the process.
Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and ...
Bonifaccio, Giovanni, 275 Booth, Edmund, 200 n.13 Bopp, Franz, 271, 273 Boswell, James, 140 Bouilly, Jean—Nicolas, 182, ... 95—6 belief, 149, 149 n.29, 178 Bell, Alexander Graham, 140 n.29, 154 n.4, 200 n.10, 221 —4, 224 n.19, 226, 228, ...
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Nothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English.
In this fictionalized narrative, Rima Pande immerses herself in her father’s consciousness to become his voice, bringing to you the story of her parents, her father’s illness and her powerful, giving mother.
Anna Todd. “You lost me at MLD super-something,” Nora chirps, her lips quirking up to one side in amusement. Slight amusement. Her eyes always seem to have a touch of boredom, like her life prior to the current moment was much more ...
What a gift this important work is to a nation yearning for liberty and freedom." —Michele Bachmann, United States Congresswoman (R-Minnesota) "When Robert Ringer first wrote Restoring the American Dream, he courageously challenged ...
A thousand-page resurrection of Hegel, from the bestselling philosopher and critic who has been hailed as “one of the world’s best-known public intellectuals” (New York Review of Books) For the last two centuries, Western philosophy ...