An argument that not only do movement and agreement occur in every language, they also work in tandem to imbue natural language with enormous expressive power. An unusual property of human language is the existence of movement operations. Modern syntactic theory from its inception has dealt with the puzzle of why movement should occur. In this monograph, Shigeru Miyagawa combines this question with another, that of the occurrence of agreement systems. Using data from a wide range of languages, he argues that movement and agreement work in tandem to achieve a specific goal: to imbue natural language with enormous expressive power. Without movement and agreement, he contends, human language would be merely a shadow of itself, with severe limitation on what can be expressed. Miyagawa investigates a variety of languages, including English, Japanese, Bantu languages, Romance languages, Finnish, and Chinese. He finds that every language manifests some kind of agreement, some in the form of the familiar person/number/gender system and others in the form of what Katalin É. Kiss calls “discourse configurational” features such as topic and focus. A key proposal of his argument is that the computational system in syntax deals with the wide range of agreement types uniformly—as if there were just one system—and an integral part of this computation turns out to be movement. Why Agree? Why Move? is unique in proposing a unified system for movement and agreement across language groups that are vastly diverse—Bantu languages, East Asian languages, Indo-European languages, and others.
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).