Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
It's moving!
By moving the moireacute; screens provided in different ways over these optical designs, artists and illustrators can create an infinite number of fascinating patterns with startling, wavelike effects. Rich source...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
If you're not interested in mind-blowing optical illusions, then don't open this book.
A specialist in visual perception, Ninio (Centre National des Recherches Scientifiques, Paris) presents many classic and new illusions, explains the underlying logic of the various types, and suggests their value for neurological and ...
Looks at various types of optical illusions, including distortion illusions, motion illusions, color illusions and afterimages, and impossible objects and images.
Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world.
"Incredible Visual Illusions is the most comprehensive and amazing collection of optical illusions ever assembled, with almost three hundred different artworks.
This is only one aspect of the book. The other is to show you how you can create these effects on any computer. The book includes a brief introduction to a powerful programming language called Python.
by Holland in a book published in 1965 , which was concerned princi- pally with his experiments on the spiral MAE . ... the spiral after - effect in the diagnosis of brain pathol- ogy and the delineation of individual differences has ...