Why screens in schools—from film screenings to instructional television to personal computers—did not bring about the educational revolution promised by reformers. Long before Chromebook giveaways and remote learning, screen media technologies were enthusiastically promoted by American education reformers. Again and again, as schools deployed film screenings, television programs, and computer games, screen-based learning was touted as a cure for all educational ills. But the transformation promised by advocates for screens in schools never happened. In this book, Victoria Cain chronicles important episodes in the history of educational technology, as reformers, technocrats, public television producers, and computer scientists tried to harness the power of screen-based media to shape successive generations of students. Cain describes how, beginning in the 1930s, champions of educational technology saw screens in schools as essential tools for training citizens, and presented films to that end. (Among the films screened for educational purposes was the notoriously racist Birth of a Nation.) In the 1950s and 1960s, both technocrats and leftist educators turned to screens to prepare young Americans for Cold War citizenship, and from the 1970s through the 1990s, as commercial television and personal computers arrived in classrooms, screens in schools represented an increasingly privatized vision of schooling and civic engagement. Cain argues that the story of screens in schools is not simply about efforts to develop the right technological tools; rather, it reflects ongoing tensions over citizenship, racial politics, private funding, and distrust of teachers. Ultimately, she shows that the technologies that reformers had envisioned as improving education and training students in civic participation in fact deepened educational inequities.
"Cain chronicles twentieth-century schools' experiments with screen media and investigates the contests over citizenship and civic education that emerged in reaction"--
In Behind Their Screens, Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help—“Get ...
Library. Screen. Scene. HARNESSING THE EMOTIONAL POWER OF THE MOVING IMAGE FOR LEARNING Although films are screened in most libraries, many librarians don't think much about film screenings. For some, film programs just don't seem to ...
Gehlbach, Hunter, Maureen E. Brinkworth, Aaron M. King, Laura M. Hsu, Joseph McIntyre, and Todd Rogers. ... Generation M2: Media in the Lives of 8- to 18-Year-Olds. Menlo Park, CA: Henry J. Kaiser Family Foundation, 2010. Web. 25 Jan.
Our tour guides for this journey—Lisa Guernsey and Michael Levine—narrate the journey in such an engaging and fun way, you won't be able to put this book down.
In The Charisma Machine, Morgan Ames chronicles the life and legacy of the One Laptop per Child project and explains why—despite its failures—the same utopian visions that inspired OLPC still motivate other projects trying to use ...
A new way of teaching digital storytelling in schools - a guide for teachers that shows how to bring together film appreciation and film and video production in the secondary school classroom.
Vol 1 Berkeley: University of California Press 1967 Bell, Oliver Memorandum on the promotion of film appreciation in Great Britain London: BFI 1938 Bennett, Susan 'Mass Media Education – Defining the Subject' Screen Education No 18 ...
One Last " Open " : Leadership Open education is clearly subject to great variety in quality and effective- ness . However , if we stay focused on how the student learns , and if we are able to effectively assess that learning ...
Jean Pierre Golay, who experienced Nazi propaganda in Switzerland in the 1930s, later became determined to help his students learn “to look around, listen, question, discuss, take time to think.” He helped them “experience production” ...