The many meanings of obelisks across nearly forty centuries, from Ancient Egypt (which invented them) to twentieth-century America (which put them in Hollywood epics). Nearly every empire worthy of the name—from ancient Rome to the United States—has sought an Egyptian obelisk to place in the center of a ceremonial space. Obelisks—giant standing stones, invented in Ancient Egypt as sacred objects—serve no practical purpose. For much of their history their inscriptions, in Egyptian hieroglyphics, were completely inscrutable. Yet over the centuries dozens of obelisks have made the voyage from Egypt to Rome, Constantinople, and Florence; to Paris, London, and New York. New obelisks and even obelisk-shaped buildings rose as well—the Washington Monument being a noted example. Obelisks, everyone seems to sense, connote some very special sort of power. This beautifully illustrated book traces the fate and many meanings of obelisks across nearly forty centuries—what they meant to the Egyptians, and how other cultures have borrowed, interpreted, understood, and misunderstood them through the years. In each culture obelisks have taken on new meanings and associations. To the Egyptians, the obelisk was the symbol of a pharaoh's right to rule and connection to the divine. In ancient Rome, obelisks were the embodiment of Rome's coming of age as an empire. To nineteenth-century New Yorkers, the obelisk in Central Park stood for their country's rejection of the trappings of empire just as it was itself beginning to acquire imperial power. And to a twentieth-century reader of Freud, the obelisk had anatomical and psychological connotations. The history of obelisks is a story of technical achievement, imperial conquest, Christian piety and triumphalism, egotism, scholarly brilliance, political hubris, bigoted nationalism, democratic self-assurance, Modernist austerity, and Hollywood kitsch—in short, the story of Western civilization.
The story behind its construction is a largely untold and intriguing piece of American history, which acclaimed historian John Steele Gordon relates with verve, connecting it to the colorful saga of the ancient obelisks of Egypt.
B.C. 1500 to A.D. 1880 (when the New York obelisk was raised) are more interesting still, and this epic history and associated engineering feats are encapsulated in this volume.
VIMANA ARK OF GOD ANCIENT TECHNOLOGY IN PERU & BOLIVIA THE MYSTERY OF THE OLMECS PIRATES AND THE LOST TEMPLAR FLEET ... LOST CITIES OF NORTH & CENTRAL AMERICA LOST CITIES OF CHINA, CENTRAL ASIA & INDIA LOST CITIES & ANCIENT MYSTERIES OF ...
Explains how and why the artifact was transported to New York
"Fräulein Gerda Schneider.” Eduard bows, half flattered, half annoyed. “Don't believe a word he says, gmädiges Fräulein." “Not even your name?” I ask. Gerda Smiles. “Are you a billionaire? How interesting!” Eduard sighs.
The extraordinary story of how an obelisk from the banks of Luxor was transferred to the Place de la Concorde in Paris in the early 19th century Transporting the Luxor obelisk from Egypt to Paris was one of the great engineering triumphs of ...
The Obelisks of Egypt: Skyscrapers of the Past
An excerpt from the beginning of Chapter I. Characteristics of an Obelisk: OF all the monuments of Egypt the most striking and the most characteristic are the Obelisk and the Pyramid; both of them solar emblems: the one significant of the ...
Far away, her daughter Nassun is growing in power -- and her choices will break the world. N. K. Jemisin's award winning trilogy continues in the sequel to The Fifth Season.
Hardcover reprint of the original 1891 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience.