Joseph Rykwert is one of the major architectural historians of this century, whosefull humanistic understanding of architecture and its historical significance is unrivaled. TheDancing Column is certain to be his most controversial and challenging work to date. A decade inpreparation, it is a deeply erudite, clearly written, and wide-ranging deconstruction of the systemof column and beam known as the "orders of architecture," tracing the powerful and persistentanalogy between columns and/or buildings and the human body.The body-column metaphor is as old asarchitectural thought, informing the works of Vitruvius, Alberti, and many later writers; but TheDancing Column is the first comprehensive treatment to do this huge subject full justice. Itprovides a new critical examination of the way the classical orders, which have dominated Westernarchitecture for nearly three millennia, were first formulated. Rykwert opens with a review of theirconsequence for the leading architects of the twen tieth century, and then traces ideas related tothem in accounts of sacred antiquity and in scientific doctrines of humor and character.Thebody-column metaphor is traced in archaeological material from Egypt, Asia Minor, and the Levant, aswell as from Greece, drawing on recent accounts by hi storians of Greek religion and society as wellas the latest discoveries of archaeologists. Perhaps most important, Rykwert reexamines itssignificance for the formation of any theoretical view of architecture.Chapters cover an astonishingbreadth of material, including the notions of a set number and a proportional as well as anornamental rule of the orders; the theological-philosophical interpretatio Christiana of antiquityon which the domination of the orders relied; the astrological and geometrical canon of the humanfigure; gender and column; the body as a constantly refashioned cultural product; the Greek templebuilding and the nature of cu
Born in Warsaw in 1926, Joseph Rykwert is one of the best-known critics and historians of architecture.
The dean is modeled on Thomas Arkle Clark, who was dean of men at Illinois from 1901 to 1931. In fact, Clark, called Tommy Arkle by everyone on campus, invented the notion of a dean of men. He was the dean of all deans of men.
Allan Dodworth, Dancing and Its Relation to Education and Social Life (New York: Harper & Brothers, 1885), p. 24. 7. Bandy, “Dance as a Dramatic Device,” p. 41. 8. Barbara Naomi Cohen, “The Dance Direction of Ned Wayburn: Selected ...
As the story goes, the movie's lead actor, Anthony Quinn, supposedly couldn't cope with the complexity of those traditional folk dances, so a new dance was invented—which is now, funnily enough, widely thought of as the Greek folk dance ...
Devastating in its power, Dancing in the Mosque is a mother’s searing letter to a son she was forced to leave behind.
She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ...
Now updated with a new introduction, Dancing in the Glory of Monsters tells the full story of Africa's Great War.
AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like ...
"--Charles Moore, Progressive Architecture This new edition of On Adam's House in Paradise (first published by the Museum of Modern Art) incorporates all the original illustrations and several new ones, as well as additional text by the ...
In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.