Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society.
But circumstances sometimes pardon failures to meet this goal. For instance, a shortage of time for deliberation may cause a mistake. Then a decision falling short of the goal may still be rational.
Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.
Rough set specifies a spatial entity by giving an upper and a lower approximation. The lower approximation is the set of spatial elements that surely belong to the spatial entity, while the upper approximation is the set of spatial ...
... Collegeville, MN, 84, 97, 98 Saint Joseph Foundation, 93 Saint Mary's Catholic Church, Spring Lake, MI, 80–82, 237, 238 Saint Nicholas Albanian Orthodox Church, Chicago, 61 Saint Nicholas Antiochian Orthodox Church, Grand Rapids, ...
As we will see in Chapter 11, our method for determining a belief function S, to represent the effect of the observation x does ... Sy may be combined instead with a non-Bayesian x prior belief function representing our prior opinions, ...
In order to compare the performance of different algorithms in alleviating user fatigue, we calculate the average ... We calculated the success rate to find “the most satisfactory suit“ within 5 minutes, 7 minutes and 9 minutes ...
Language is also an inventive tool with which we express our thoughts and interpretations (or in Todd's case, misinterpretations) of what we have seen, heard, or otherwise experienced. In singing the lyrics, Todd was trying to ...
Your ability to hit the target involves a way of shooting . More than one way of move production may be available to any one agent . For instance , you may shoot with your right hand or with your left hand . Of course , not all ways of ...
Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within southern literature and culture.