Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.
In this book, Stephanie Paulsell considers how the religious milieu that Woolf inhabited shaped her writing in unexpected and innovative ways.
Another man interrogated that day, William Weaver, worked as a “Sho maker” and resided on “Grayes Inne lane.” He had been “in prison ... a month” after “beinge taken in the wood nere Islington.” Back on 4 March, pursuivants had arrested ...
Kindred Spirits takes us inside a remarkable network of Catholic historians, theologians, poets, and activists who pushed against both the far-right surge in interwar Europe and the secularizing tendencies of the leftist movements active in ...
In this book, Chad E. Seales examines the religious and spiritual culture that has built up around the rock star over the course of his career and considers how Bono engages with that religion in his music and in his activism.
A swing spiritual based on the proverb "God blessed the child that's got his own."
Claude McKay, Harlem Shadows: The Poems of Claude McKay (New York: Harcourt, Brace, 1922), p. 51. 32. Lorraine Hansberry, “Lynchsong,” Masses and Mainstream 4, no. 7 (July 1951): pp. 19-20. Angela Y. Davis compared Hansberry's poem ...
[]ames Alan McPherson, Railroad: Trains and Train People in American Culture (New York: Random House, 1976), p. 9.] This possibility came from the locomotive's drive and thrust, its promise of unrestrained mobility and unlimited freedom ...
Scharen pleads that this is the result of a 'constricted imagination,' and rightly so. This very readable book will provoke discussions that are much needed in the church and beyond.
But now, Billie Holiday stays close to the music, to her performance style, and to the self she created and put into print, on record and on stage.
Explores Mary Shelley as an important religious thinker of the Romantic period.