During the nineteenth century, Albrecht Dürer’s art, piety, and personal character were held up as models to inspire contemporary artists and—it was hoped—to return Germany to international artistic eminence. In this book, Jeffrey Chipps Smith explores Dürer’s complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist’s role as a creative and moral exemplar for German artists and museum visitors. In an era when museums were emerging as symbols of civic, regional, and national identity, dozens of new national, princely, and civic museums began to feature portraits of Dürer in their elaborate decorative programs embellishing the facades, grand staircases, galleries, and ceremonial spaces. Most of these arose in Germany and Austria, though examples can be seen as far away as St. Petersburg, Stockholm, London, and New York City. Probing the cultural, political, and educational aspirations and rivalries of these museums and their patrons, Smith traces how Dürer was painted, sculpted, and prominently placed to accommodate the era’s diverse needs and aspirations. He investigates what these portraits can tell us about the rise of a distinct canon of famous Renaissance and Baroque artists—addressing the question of why Dürer was so often paired with Raphael, who was considered to embody the greatness of Italian art—and why, with the rise of German nationalism, Hans Holbein the Younger often replaced Raphael as Dürer’s partner. Accessibly written and comprehensive in scope, this book sheds new light on museum building in the nineteenth century and the rise of art history as a discipline. It will appeal to specialists in nineteenth-century and early modern art, the history of museums and collecting, and art historiography.
This book offers the first in-depth comparative examination of the history, theory, organization, and character of the major Kunstkammern in the Holy Roman Empire.
Albrecht Dürer and the Embodiment of Genius: Decorating Museums in the Nineteenth Century. University Park: Penn State University Press, 2020. Smolderen, Thierry. The Origins of Comics: From William Hogarth to Winsor McCay. zu eJackson: ...
Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in ...
In the article , Huie interviewed J. W. Milam and Roy Bryant , who confessed to killing fourteen - year - old Emmett Till , an African American boy from Chicago who was in Mississippi visiting family in August 1955.
From Schongauer to Holbein: Master Drawings from Basel and Berlin, exh. cat. (Washington, D.C.: National Gallery ofArt, 1999), no. 43. 14. Koschatzky and Strobl, Drawings, no.1; and Klaus Albrecht Schrtider and Maria Luise Sternath, ...
Tells how museums collect and display art, provides background information for each era and region of art production, and identifies prominent museums, artists, and art movements
This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries.
This is the definitive life story of Alfred Hitchcock, the enigmatic and intensely private director of Psycho, Vertigo, Rear Window, The Birds, and more than forty other films.
183. 183. Ibid. p. 183. 184. Goethe-Handbuch in vier Bänden (see above n. 134). 185. Karl Robert Mandelkow, “Goethe-Forschung (20. Jh.),” Goethe-Handbuch 4/1, 424. 186. Benedikt Jeßing, “Goethe-Biographien,” Goethe-Handbuch 4/1, 414.
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