"Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices." "Yolanda Broyles-Gonzalez corrects many of the widely held misconceptions concerning the Teatro's creation and evolution. She draws from a rich storehouse of previously untapped material, such as interviews with numerous ensemble members, production notes, and unpublished diaries, to highlight the reality of the collective creation that characterized the Teatro's work." "Writing within contemporary cultural studies theory, Broyles-Gonzalez sheds light on class, gender, race, and cultural issues, showing how they traverse and inform the Chicana/o performance aesthetic embodied by El Teatro Campesino. Her work situates the Teatro within working-class Mexican performance history, the Chicano movement, gender relations, and contemporary attempts to mainstream."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is a vital and indispensable text for today’s actor, as well as scholars and students of contemporary theatre, American and Chicano performance, and the process of theatre-making, actor training, and community performance.
This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges.
Chicano Theater: Themes and Forms
The Theatre of Luis Valdez focuses on the life and work of American playwright and director Luis Valdez, probably best known for his landmark 1979 play Zoot Suit – the first play by a Latinx playwright to appear on Broadway – and ...
This technique , known as the “ foot - in - the door - technique for inducing compliance , " was first identified by J. L. Freedman and S. C. Fraser in 1966.6 Freedman's and Fraser's work , as well as subsequent experiments in ...
Drama. EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino,...
García , Anthony J. The Day Ricardo Falcon Died . In Anthony J. Garcia , Su Teatro : 20 Year Anthology . Denver : El Centro Su Teatro , 1990 . Little Hands Hold the Wind . In Anthony J. , Garcia , Su Teatro : 20 Year Anthology .
El Teatro Campesino de Luis Valdez (1965-1980)
For more than twenty years, Luis Valdez, the most distinguished Latino playwright and director, has reserved most of his scripts for live stage productions.
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: "Essay Writing and ...