"When Bill Faulkner came to New Orleans he was a skinny little guy, three years older than I, and was not taken very seriously except by a few of us." Thus the late William Spratling, popularly known as the Taxco "Silver King," recalled the mid-1920's, when Faulkner, a young man fresh from Oxford, Mississippi, roomed with Spratling in Pirates Alley. "By the time I would be up, say at seven, Bill would already be out on the little balcony over the garden tapping away on his portable, an invariable glass of alcohol-and-water at hand." A result of their friendship was a book depicting "various people who were then engaged … with the arts in New Orleans." It was based on firsthand observation. "There were casual parties with wonderful conversation and with plenty of grand, or later to be grand, people." Some of the names, in addition to Sherwood Anderson, were Horace Liveright, Carl Van Doren, Carl Sandberg, John Dos Passos, Anita Loos, and Oliver La Farge. Spratling supplied sharp caricatures of the people and Faulkner contributed succinct captions and a Foreword. It was all "sort of a private joke," but the four hundred copies were sold within a week and the original edition is now a collector's item. This book is a charming reminder of exciting days and talented people.
This is a new release of the original 1926 edition.
" The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured.
Faulkner, whose Soldiers' Pay (1926) had also been published following Anderson's efforts, less publicly but just as sharply ridiculed Anderson in the foreword to Sherwood Anderson fr Other Famous Creoles (1926), a book published in a ...
Not long after starting the novel, Kesey befriended the legendary Neal Cassady. Known to locals as the “King of San Francisco” and by the North Beach police as “Johnny Potseed,” the handsome blue-eyed Cassady added another dimension to ...
The latter two were not included among Spratling's drawings in Sherwood Anderson and Other Famous Creoles, but they were very much a part of the circle. Previously, Healy had known Faulkner at Ole Miss when he was postmaster, ...
Box 6 , Folder 2 , contains a short story by N.V.S. citing Mrs. Scott's illness in 1903 , which required a friend to stay with her at home . Natalie's World War I letters make numerous references to her mother's health , such as those ...
Second row : Max Gougeot , manager , Clem Sehrt , Weilbacher , J. Madden , Fr. Martin , Coach Bill Healey , Ray Mock , Bob Landry , Doc Erskine . Third row : Joseph Vella , Ike Favalora , Leo Blessing , Bob Morris , Clarence Hebert ...
The photograph of the portrait of Grace King by Wayman Adams on page 298 is reproduced through the courtesy of the New Orleans Museum of Art . My thanks go to William Fagaly , assistant director , for showing me the original painting .
them: When a Mississippian sent him a letter complimenting his "true poetic lines" in The Marble Faun, Faulkner derided this unusable response and sent to Oxford for Phil Stone's amusement a copy of his seemingly courteous but actually ...
Hurston's research on hoodoo: Robert E. Hemenway, Zora Neale Hurston: A Literary Biography (Univ. of Illinois Press, 1980), 123. “Didn't have a phonograph”: La Farge, Raw Material, 114. “Slatternly washerwoman”: William Spratling, ...