Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.
Katy Jackson. TITLES IN THIS SERIES Draw Cute Pictures Draw Horrible Pictures Draw Draw Pretty Magical Pictures Pictures Draw Scary Pictures Draw Weird Pictures. Back Cover.
Katy Jackson. TITLES IN THIS SERIES DrawCute Pictures Draw Horrible Pictures Draw Magical Pictures Draw Pretty Pictures Draw Scary Pictures Draw Weird Pictures. Back Cover.
They will remain merely pretty pictures of a sad reality. Beginning with the effort to develop the maps, one should therefore contemplate the creation of the institutional means necessary to achieve sustained country ownership, ...
Watch as readers blossom from beginners into expert artists as they read this book and practice the techniques both illustrated in the broken-down images and described in the instructional text.
pro O Lo Gu B hey say a picture's worth a thousand words. That's not what I'd say. I'd say it depends on the picture. I'd say it depends on the size and the color and the subject and the print and the framing and the focus and the ...
“She is very nice, but I do not like him. Your father says he is an imbecile. ... “I like the pictures very much but they make him sad. ... “I would like very much to see those pretty pictures again.” I took her hands, thrilled there ...