Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente�s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States�including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa�but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berr�os-Miranda, Shannon Dudley, and Michelle Habell-Pall�n challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities�including Chicanos, Tejanos, and Puerto Ricans�in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.
American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San ...
"... focuses on five major production centers of Latino music -- New York City, Los Angeles, San Antonio, San Francisco, and Miami -- that represent its diversity."--flyleaf.
... percussionists Julian Cabrera, Joe Rodríguez, Carlos “Patato” Valdés, and Tommy López. New vocalists added from the Alegre label included Antar Daly, Felo Brito, and Willie Torres, with coros sung by Rudy Calzado and Victor Velazco.
We Could Have Been the Wombles: The Weird and Wonderful World of One-Hit Wonders. London: Penguin. Covach, John. 2009. What's That Sound? An Introduction to Rock and Its History. New York: W. W. Norton.
Felipe Ehrenberg, “A few explanatory words,” in Sabor a Mí (Cullompton, Devon, UK: Beau Geste Press, 1973), 1. 3. ... “Irruptions of Memory: Expressive Politics in Chile's Transition to Democracy,” Journal of Latin American Studies 312 ...
This conviction is even more obvious on his following album, the exuberant Coloring Book: the album is a vibrant, colorful work, combining affection for gospel ... Lil Wayne and 2 Chainz, “Mixtape,” feat. Young Thug and Lil Yachty, ...
With professional testimonials from those who have left their mark in print, radio, television, film and new media, this collection of chapters brings together expert voices in Hispanic/LatinX media from across the U.S., and explains the ...
In the 1980s, however, we Second Hand Band members still had to explain the Music of the Americas title of our show to ... didactic panel for American Sabor: Latinos in U.S. Popular Music, “including jazz,R&B, rock 'n'roll and hip hop.
Guide to Central American foods and related recipes.