Genre painting flourished in the U.S. during the mid-19th century. These narrative scenes depicting the everyday activities of stock or typed characters captivated American audiences. Delineating distinctly American characters, often through the exploration of racial, regional, or class differences, genre painting, like landscape, was often called upon as a vehicle for expression of cultural nationalism. Two paintings from the Louvre represent the Dutch and English schools, key sources on which genre painters in the U.S. drew in developing their own idiom. These rich genre paintings, alongside three outstanding American examples, enable the exploration of a variety of interrelated themes including the development of character types, confrontations between them, the spaces of their confrontations, the role of the senses as well as music and narrative, and the graphic reproduction and dissemination of genre paintings in the form of prints. Genre Painting and Everyday Life accompanies the first of a series of focused exhibitions collaboratively organized by the Musee du Louvre, the Crystal Bridges Museum of American Art, the High Museum of Art, and the Terra Foundation for American Art.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...