Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.
"Let me tell you a story," each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voice—an off-screen narrator—for all or part of the story.
This book investigates the sensuous qualities of narration in the feature-length fiction film.
Here is a rather straightforward formulation of that negative thesis by Colin McGinn: Nor, I think, is [the fictional character, Charles Foster Kane] the thing we are looking at, for we are not seeing him. It is not Kane who stands ...
The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform.
The most significant source is Claude Levi-Strauss, whose work was being steadily translated into English between 1963 and 1969. That remarkable research itself hovers in a fascinating way between a conception of implicit meaning and a ...
In Bad Day atBlack Rock, Macreedy visits the café for a bowl of chili, and Coley is determined to pick a fight. As he harasses Macreedy in the foreground, we are uneasily aware that Coley's boss Reno is hovering around behind—sometimes ...
"For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story—whatever the medium.
Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen.
Film provides experience potential. Contemporary cognitive psychology gives the opportunity to define this impact on the film spectatorsâ (TM) mind in regard to different aspects of cognition, imagination and emotion....
Written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art.