"An important verbal and visual document of a great period of American printmaking."--Gordon W. Gilkey, Pacific Northwest College of Art and Curator of Prints and Drawings, Portland Art Museum "A superb chronicle of a unique period in the development of printmaking in the U.S. in the post-World War II years. This is an excellent history of a gifted group of artist-professors who, through their creative and innovative approach to the teaching of printmaking, helped to initiate a renaissance in printmaking that has become a singular addition to twentieth-century American artistic expression."--Clare Romano, Pratt Institute, and John Ross, Manhattanville College Printmaking exploded on the American art scene after World War II, rapidly expanding from New York to the Midwest and beyond. Central to this movement and its development was the University of Wisconsin-Madison, where a group of talented young artists was making prints and developing a print curriculum. Progressive Printmakers documents, in words and stunning pictures, the breakthrough aesthetics and technical innovations that made the Madison printmakers a force in the art world. In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison. The distinguished print historian, the late James Watrous, provides an introductory overview, placing the program's development in the national context of the American print renaissance. A concluding chapter traces the founding of Tandem Press, an exciting extension of the Wisconsin print curriculum. As Watrous notes, the University's commitment has been "renewed again and again during a half-century when printmaking flourished in America as never before." Artists featured * Alfred Sessler * Dean Meeker * Warrington Colescott * Raymond Gloeckler * Jack Damer * Walter Hamady * William Weege * Frances Myers * David Becker
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...