Dolce's Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and ...
Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and ...
North Italian Painting of the Cinquecento: Piedmont, Liguria, Lombardy, Emilia
Visual. Culture. in. Early. Modernity. Series Editor: Allison Levy A forum for the critical inquiry of the visual arts ... Italy Bartolomeo Scappi's Paper Kitchens Deborah L. Krohn Visual Cultures of Foundling Care in Renaissance Italy ...
Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function.
This book is an account of painting in Italy during the period of the High and the Late Renaissance, the period which included the most remarkable concentration of accomplishments in the artistic history of Italy.
This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento.
CIARDI , R. ' Giovanni Antonio Figino e la cultura milanese tra il 1550 e il 1580 ' , Arte Lombarda , VII ( 1962 ) , 73-84 . ... POSNER ( WEIL GARRIS ) , K. Leonardo and Central Italian Art , 1515-1550 . New York , 1974 .
'Paulino's' Verona -- Paolo's training, first works, early collaboration -- Titian's dominance challenged: 1546/51-1562/63 -- Paolo and Jacopo dominate, 1555/60-1588/94 -- Patterns in shop practice and Venetian painters' shops near the end ...
"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that...