Smith's scrutiny of the pictorial and documentary evidence results in some surprising findings. He argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century. He points out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence of Cook's astronomer, William Wales, on S.T. Coleridge's imaginative development. He describes how John Webber's apparently documentary art was fashioned to suit political concerns. He examines critically the relevance of Edward Said's Orientalism for our understanding of European perceptions of the Pacific
John E. Crowley addresses the subject of 'drawn from nature' versus 'painted by W Hodges' and the engravings after his expedition artwork in Imperial Landscapes ~ Britain's Global Visual Culture 1745–1820 (2011), stating that the latter ...
This new edition of a significant Australian classic also coincides with the 250th anniversary of Cook's landing on the east coast of Australia, and complements new scholarship on territorialisation, colonialism and the politics of exchange ...
" This book wrenches American studies out of any lingering continent-bound complacency, gives a much needed broader scope to Asian American studies, and discloses crucial blind-spots in Asian area studies.
Provides a detailed description of European explorers' accounts of Tahiti in 1768 and shows that the romanticism surrounding that time was a result of the French people's misunderstanding of Tahitians' behavior.
James Cook and James King, A Voyage to the Pacific Ocean; Undertaken by Command Performed under the Direction of Captains ... Bernard Smith, Imagining the Pacific: In the Wake of the Cook Voyages (Melbourne: Melbourne University Press, ...
DIVShows how a modern nationalism was constructed in Japan from existing notions of community, at a time before the idea of “nation.”/div ldquo;InBefore the NationSusan L. Burns offers rock-solid research on a crucial topic in the ...
In an endeavor to produce Trans—Pacific Studies, The TransPaeifie Imagination: Rethinking Bonnolary, Caltare anal Soeiety critically re—examines the discursive boundary of the national ontol— ogy that binds nations and empires across ...
Papers form a formal symposium which convened in February 2005 during the annual meetings of ASAO on Lihu'e, Kaua'i Island, Hawaii.
Hope persists in the face of constant disappointment because it is more than a strategy; it is part of imagining, and imagining as ... This establishes the link between 'hope' and 'future', with imagination as mediator – despite Casey's ...
[ Smith 1992 : ix ] This concept worked well for his examination of European artists who illustrated what they saw during their Pacific voyages ( imaging ) and how these images were distorted by second - stage artists back ...