This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
In 1890, Cecil John Rhodes, the gold-hunting leader of the British South Africa Company (BSAC), occupied northern Zimbabwe accompanied by a private army. When very little gold materialized and the sale of land and agriculture proved ...
And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history.
Sex is at the core of our identities. And when it becomes a compulsion, it can unravel our lives. Out of the Shadows is the premier work on this disorder, written by a pioneer in its treatment.
With art inspired by Reiniger’s cut-paper style and a text that uses a fairytale motif that mimics her movies, Out of the Shadows is a sweeping tribute to one of most important figures of animation, whose influence still resonates today.
Out of the Shadows is a gripping, heartbreaking and eye-opening journey deep into the underworld of human trafficking and the sex trade, told in riveting detail by one brave survivor.
Out of the Shadows explores the most celebrated examples of film noir such as Laura, The Maltese Falcon, and Sunset Boulevard but also offers new insight into underrated films that deserve reconsideration, including Spellbound, A Double ...
An anniversary edition of the first full study of Mexican American women in the twentieth century, with new preface
The Place and Mission of Woman: An Inspirational Discourse. Boston: Hubbard W. Swett, 1859. ——— [Published as Emma Hardinge]. Six Lectures on Theology and Nature, n.p., 1860. ——— [Published as Emma Hardinge]. The Wildfire Club.
"Powerful. . . . The crisis [Torrey] delineates should stir any halfway sensitive human being to anger."--The New York Times Book Review "Brilliant and remarkably detailed. . . ....
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