Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Waiter L. Strauss and JohnT. Spike. New York, 1978-. VE 15 — E iserma nn, Fatk. Verzeichnis der typographischen Einblattdrucke des f J. Jahrhunderts tm Hetligen Romischen Retch Deutscher Nation (n if). 3 vols. Wiesbaden, 2004.
... see R.J. Williams , ' Vincenzo Borghini and Vasari's " Lives " , PhD dissertation , Princeton University , 1988 . 12 In David Landau and Peter Parshall , The Renaissance Print : 1470-1550 ( New Haven and London , 1994 ) , p . 103 .
There was a time, five hundred years ago, when science was regarded as an art, and art as a science. And in the contest between the senses, the ear, through...
... The Art of Botanical Illustration, An Illustrated History (New York: Antiquarian Society, 1994; 1st edn 1950); and David Landau and Peter Parshall, The Renaissance Print 1470–1550 (New Haven: Yale University Press, 1994), esp.
D. Landau and P. Parshall , The Renaissance Print , 1470-1550 ( New Haven , 1994 ) , 9 . 29. A. M. Hind , Early Italian Engraving ( London , 1938-48 ) , i . 42-3 . 30. D. Chambers and B. Pullen , with J. Fletcher , Venice : A ...
26); Gustav Barthel, Die Schlesische Bildende Kunst als Gestalt und Form der Kulturkräfte des Schlesischen Raumes, Breslau, 1941; idem, Die Ausstrahlungen der Kunst des Veit Stoss im Osten, Munich, 1944; Franz, Die Deutsche ...
... The Moment of Self-Portraiture in German Renaissance Art (Chicago and London, 1993) D. Landau and P. Parshall, The Renaissance Print, 1470–1550 (New Haven and London, 1994) S. Porras, Art of the Northern Renaissance: Courts, ...
Moreover, the amalgamation of picture and text (NeoLatin, German, French and/or Dutch) found in many prints provides ... 167-200; David Landau and Peter Parshall, The Renaissance Print 1470-1550 (New Haven: Yale University Press, 1994).
His discussion of the paintings produced away from Florence in 1539 for the refectory of S. Michele in Bosco in Bologna supplies another example. He describes how he consciously tried to make all elements in the design of the Chris! in ...
For bibliography see the section “Printed Herbals and Descriptive Botany” in Peter Parshall and David Landau, The Renaissance Print, 1470–1550 (New Haven; London: Yale University, 1994), 245–9. For the manuscript tradition, ...