Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.
Thus the interview reveals that the true marvel here is not the uncanny phenomenon in itself, but that which produces the ... which becomes machinic in and through its production of the spectacle of the uncanny as a marketable good.
Liberzon, Israel, Anthony King, Jennifer Britton, K. Luan Phan, James Abelson, and Stephan Taylor (2007) “Paralimbic and Medial Prefrontal Cortical Involvement in ... Mayer, Jane (2009) The Dark Side, New York: Anchor Books.
Each novel offers up the uncanny spectacle of the dead firstgeneration heroine as a kind of gendered object lesson.18 These displays of female bodily mortality converge, moreover, with the ethereally disembodied figure of the Veiled ...
exhibition in the Tate Gallery Liverpool, brought together significant attention to the discourse on the uncanny, ... elements that contribute to the uncanny spectacle, and how can the uncanny be appropriated as an aesthetic tool?
division and elision, and from Bhabha there is the notion of the uncanny. ... first example comes from issue 9 of Developments, 'Globalisation', and depicts the metropolitan city split from itself by an uncanny spectacle of resistance.
Stanford, Calif.: Stanford University Press, 2003. De Man, Paul. “Phenomenality andMateriality inKant.”In TheTextual Sublime: Deconstruction and Its Differences. Edited by H. Silverman and G.Aylesworth.
... dance in popular medieval texts has the opportunity to be an uncanny spectacle in itself, and also – as we will ... the uncanny and marvelous spectacles in the tales of the Kölbigk carolers participate in a rhetoric of dance that ...
as well read in continental writers or delighted in European cultural life more than Arnold. Yet Arnold's letters to his beloved sister Jane suggest that he was made miserable by the existential condition of the cosmopolitan.
The Hofmannsthal rider is another sort of Horse Man; as in the case of Kafka's Landarzt, his unconscious desires and fears are doubled, not least in the paranormal horse of a FiilSli nightmare.50 As Ritchie Robertson has shown, ...
the mere physical horror of such a spectacle would in the theatre be a sensation so violent as to overpower the purely tragic ... producing in the spectator a range of uncanny effects including horror, incredulity, shock and revulsion.