In his idyllic landscape paintings of the west of Ireland, Paul Henry (1876-1958) provides the quintessential view of the Irish scene, now as universally familiar as Cezanne's view of Provence or Constable's recording of Suffolk. Henry stands alone as the most influential landscapist to work in Ireland in the twentieth century. In this generously illustrated biography, S. B. Kennedy tells the story of Henry's life and artistic achievements, interweaves the life of his highly talented wife Grace, and explores his friendships and associations in the artistic worlds of Paris, London, Dublin, and Belfast. Kennedy offers a full account of Henry's entire career, including his early experience studying under Whistler in fin-de-siecle Paris, his subsequent work as an illustrator in London, and his transforming trip to Achill Island in his native Ireland in 1910. Transfixed by the landscape, the people of the island, and their way of life, Henry thereafter devoted his career to painting Irish life and landscape, introducing a degree of realism that was new to Irish painting. Kennedy also discusses the career of Henry's first wife, Grace (1868-1953), a painter in her own right who here emerges from behind the shadow of her husband as a more substantial figure than has been previously recognized. In addition, the author sets Henry's work in historical context and considers the reasons for renewed interest in Henry's landscape paintings in recent years.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...