Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under the influence of Frederic E. Church, he began painting landscapes and seascapes. He examines Heade's relationships with patrons and dealers, writers and scientists, and he sheds new light on Heade’s trips to Brazil, to the Central American tropics, and to London. And he describes Heade's move to Florida in 1883, which marked not his retirement but a final period of creativity that lasted until his death in 1904. The book includes not only an examination of Heade's life and works but also reproductions of all his 620 known paintings, including nearly 250 that have been discovered since 1975.
Martin Johnson Heade (1819-1904) had the longest career and produced perhaps the most varied body of work of any American painter of the nineteenth century.
Annotation. "Roberta Favis tells the story of the last two decades of the life and artistic career of Martin Johnson Heade (1819-1904), when the peripatetic painter settled permanently in St. Augustine, Florida.
Martin Johnson Heade (1819-1904) was under-appreciated during his lifetime, forgotten in death, and rediscovered four decades later, yet today he is recognized as one of the most important artists America...
Using the image of a flitting hummingbird as a metaphor for the gossamer strands that connect these larger-than-life personalities, Christopher Benfey re-creates the summer of 1882, the summer when Mabel Louise Todd-the protégé to the ...
In this elegantly illustrated book, the catalogue for the second major retrospective of Heade's work in thirty years, Theodore Stebbins and his collaborators focus on the major themes of Heade's work: seascapes, salt marshes, landscapes, ...
The case was closed and the FBI file was marked “exempt from public disclosure.” Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken ...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
... 137 Street in Sterzing, Tyrol, A, 136, 137 Winter-Fifth Avenue, 137-8, 138 Still, Clifford, 167 Strand, Mark, 182-3 Strand, ... 83,84 Harmony in Green and Rose: The Music Room, 90 Harmony in Grey and Green: Miss Cicely Alexander, ...
Lee, Anthony, and Elizabeth Young. ... Snyder, Joel. Ameriean Frontiers.' The Photographs of Timothy O'Sullivan, 1867-1874. Millerton, NY: Aperture in association with the Philadelphia Museum ofArt, 1981. Stapp, William F. “'Subjects of ...
Threading these stories together into a radiant and mesmerizing harmony, Red Brick, Black Mountain, White Clay is an extraordinary quest to the heart of America and the origins of its art"--Provided by publisher.