How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials.
"Owen Dwyer and Derek Alderman examine civil rights memorials as cultural landscapes, offering the first book-length critical reading of the monuments, museums, parts, streets, and sites dedicated to the African-American struggle for civil ...
International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and ...
FROM A RUINED GARDEN gathers some 77 sections from the nearly 1,000 memorial books published. The texts describe daily life in the shtetl as well as everyday life during the Holocaust and the experiences of returning survivors. 26 photos.
Kirk Savage explores the National Mall in Washington D.C., site of some of the most important & poignant memorials in the U.S. He shows how the idea of monument has changed over the decades, & how the 19th century concept of the monument ...
A significant new look at the legacy of the Nazi regime, this book exposes the workings of past beliefs and political interests on how--and how differently--the two Germanys have recalled the crimes of Nazism, from the anti-Nazi emigration ...
Gibson's (1979) theory of affordances provides a useful framework for understanding how various people perceive such opportunities, and the resultant diversity of ways that they occupy memorial settings. By affordances, Gibson (ibid.
In response to the erasure of historical memories that discomfit a public’s self-understanding, this book proposes the historical uncanny as that which resists reification precisely because it cannot be assimilated to dominant discourses ...
This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.
Jews and Other Differences: The New Jewish Cultural Studies