The highly anticipated, definitive reference on Stuart Davis's paintings, watercolors, drawings, and published illustrations
Stuart Davis (1892-1964) made a mark on the art world early in his career, first with his Ashcan works and then with his highly personal version of Cubism, which firmly established American modernism as a force that could rival its European counterpart. Over the course of six decades, Davis produced artworks that drew inspiration from the European modernists but were deeply rooted in the popular culture of the United States. Jazz music and hipster talk, vaudeville stages, city streetscapes, New England fishing villages, gasoline stations, store fronts, and commercial packaging and advertising images were among the sources that infused his art with energy, bringing crisp edges, radiant color, and syncopated rhythms to a vast body of paintings, watercolors, and drawings.
Documenting the life's work of this prolific and highly influential artist--who affected almost every development in American art from second-generation Ashcan realism around 1912 to color field and geometric painting in the 1960s--is a monumental achievement. In these three volumes, the editors have catalogued 1,749 artworks by the artist--including more than 600 works never previously illustrated--providing extensive documentation and information about each one. A detailed chronology of Davis's life, as well as an enlightening discussion of the compositional relationship between certain works spanning his oeuvre, rounds out this study. Exquisitely designed and produced, Stuart Davis: A Catalogue Raisonn will be the definitive reference on the artist's work for many years to come.
The volume pays special attention to his transformative recycling of earlier works; and a chronology-drawing on previously unpublished sources-represents the most complete biography to date, painting a vivid picture of economic hardship, ...
A volume on Stuart Davis, an American artist of the 20th century.
This book acted as the catalogue for the Met's Davis retrospective and includes essays by William C. Agee, Robert Hunter, Lewis Kachur, Diane Kelder, John R. l.ane, Lisa J. Servon and Karen Wiikin.
"Stuart Davis (1892-1964), once described as "the ace of America's Modernists," regarded drawing as central to his art. He believed that all his works were drawings, and developed his images...
Stuart Davis' New York
Art. Biography. I want you to get some idea of the facts (physical) of painting. By physical facts I do not mean permanency of colors. By physical facts I mean...
The first to capture the full range of [Stuart Davis'] remarkable career, from the Armory Show of 1913 to his las brilliant works of the 1960s.
Stuart Davis: Art and Art Theory
This book challenges the prevailing tendency to separate Davis’s leftist activism from his art and contextualizes Swing Landscape within 1930s abstract mural painting in New York, emphasizing the politics of abstraction.