A study of Michelangelo's drawings held in the collections of the British Museum. These drawings range from unfinished sketches to studies of some of his most famous works such as the Sistine chapel ceiling and the Last Judgment.
'. . . Michelangelo was constantly flaying dead bodies, in order to study the secrets of anatomy, thus beginning to give perfection to the great knowledge of design that he...
Michelangelo worked hard to transform the ancient and weathered marble block into the Bacchus. He ate meals, slept, took pleasure in the company of fellow Florentines, and discovered just how extensive werethesins ofRome.
Much has been written about the paintings and sculptures of Michelangelo, arguably the greatest artist of the Renaissance. But what about the man? In this revealing look at the Florentine...
Profiles the life of Italian artist and sculptor Michelangelo, well known for his marble statue of David and his painting of the ceiling of the Sistine Chapel.
Travel to Renaissance Italy and learn about the young apprentice who went on become a true master, and one of the most beloved sculptors and painters of all time in this addition to the #1 New York Times Best-Selling Who Was? series!
187 That was bad enough, Rosselli felt, but the next comments were worse. Having stuck the knife in the absent rebel, Bramante proceeded to give it a twist, adding confidentially, “I don't think he has the heart for it, ...
This book reproduces 46 of his finest drawings, embodying most of his artistic themes and techniques, and executed in his characteristic media of pen and ink, and red and black chalk.
Michelangelo: A Record of His Life as Told in His Own Letters and Papers
Presents the life of the Renaissance artist, covering his childhood, the early recognition of his talent, the patronage of his work by the Medicis and the Vatican, and the creation of his masterpiece, the "Sistine Chapel."
Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion.