In making light his primary medium, Dan Flavin (1933-1996) established himself as one of the most innovative and significant artists of the minimalist movement. A new generation encountered Flavin’s work through the critically acclaimed exhibition Dan Flavin: A Retrospective, which opened in October 2004 at the National Gallery of Art, Washington. Dan Flavin: New Light includes essays that respond to this exhibition and to the renewed interest in Flavin’s work and its place in 20th-century art. In this volume, six leading scholars of contemporary art consider the ambiguities and multiple resonances of Flavin’s light works. Each addresses the ontological complexity of the work--object-based, yet "situational,” and painterly in its deployment of colored light--within the insistently sculptural world of minimalism. The book’s contributors interpret this tension by exploring Flavin’s early assemblages, the relationship of drawing to his installation practice, the specificity of his materials and their operation in actual space, and the openly ambivalent place of Flavin’s work within the history of late modernism. Also available from Yale University Press: DAN FLAVIN: A RETROSPECTIVE (ISBN 0-300-10632-7) DAN FLAVIN: THE COMPLETE LIGHTS (ISBN 0-300-10633-5)
Although Minimalist artist Dan Flavin (1933-1996) is best known for his brightly coloured installations of fluorescent lights, he was also an avid draftsman.
"Dan Flavin: The Architecture of Light provides a wide-ranging view of Flavin's work and intellectual thought, bringing together contributions by Tiffany Bell, Frances Colpitt, Jonathan Crary, Michael Govan, Joseph Kosuth,...
Dan Flavin is a key figure in 20th-century art. Leaving the classical genres of painting and sculpture behind him, from the early 1960s he focused entirely on exploring and realizing...
Transforming color into light is one of the great themes of painting. Dan Flavin (1933-1996) used light as color and material.
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Joseph Wood Krutch (1893–1970) was an American naturalist, conservationist, writer, and critic. ... In 1933, Barnett Newman and his friend Alexander Borodulin ran for New York City mayor and comptroller, respectively.
Well, the seemingly new and the tiresomely old work of Joseph Kosuth – a definition is a photograph is a table – and Jan Dibbets – a polder photographed awry – was the beginning of ... Rothko, Still, and Newman are not Expressionists.
This book explains the how, why, where and when of Minimal Art, and the artists who helped define it.
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