This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
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In addition, the recesses of the folds are drawn with the same stylized lines that terminate in tiny hooks found in the underdrawn cloak of the tax collector (gs. –). If, as Kanter has argued, the tax collector can be attributed to ...
... Anna , 56n 10 Forster - Hahn , Françoise , 186n5 Forsyth ( James G. ) Fund , 252 Fragonard , Jean - Honoré , 91-93 and nn 3 , 6 , IO , 12 , 17 Cupid Setting the Universe Ablaze ( overdoor ) , 91 , 93n 13 The Graces ( overdoor ) ...
Exh. cat. by Paul Huys Janssen and Peter C. Sutton. ... Amsterdam, Rijksmuseum; Boston: Museum of Fine Arts; Philadelphia, Philadelphia Museum of Art. Exh. cat. by Peter C. Sutton, Pieter Jacobus ... Anthony van Dyck as a Printmaker.
A tribute to the impressive roster of women artists who have graduated from Yale University Celebrating the 150th anniversary of the first women students at Yale, who came to study at the Yale School of the Fine Arts (now Yale School of ...
The rest of this compilation contains texts--more than half of which have never before been published--that contemplate one or two works by an individual artist.
Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium.
By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself.
Ward-Jackson points out that Robinson (1862, pp. 171-73) first attributed the drawing to Bambaia, although Robinson's hypothesis that it is a design for the tomb of Gaston de Foix, begun about 1515, has been neither proved nor disproved ...
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.