“This is the most scholarly, accessible, and exciting writing on Lee Miller to date.” ---Anthony Penrose, Lee Miller Archives Lee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937. Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust. Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...