NeoHooDoo, a phrase coined by the poet Ishmael Reed in 1970, celebrates the practice of rituals, folklore, and spirituality in the Americas beyond the scope of Christianity and organized religion. The endurance of these centuries-old traditions of magic and healing are the unique focus of this book. Exploring how spirituality influenced artists in the late 20th century and bringing together an intergenerational group of artists from North, Central, and South America, NeoHooDoo reveals the wider implications of ritualized practice in contemporary art.
This book examines the work of thirty-three artists––including Jimmie Durham, David Hammons, José Bedia, Rebecca Belmore, and James Lee Byars––who began using ritualistic practices during the 1970s and 1980s as a way of reinterpreting aspects of their cultural heritage. Younger artists such as Tania Bruguera and Michael Joo are shown to have drawn upon the iconography of ritual. The original essays, which range over artistic use of ritual as a form of therapy, catharsis, or political critique, stand alongside contributions from NeoHooDoo’s key sources of inspiration: Robert Farris Thompson, Ishmael Reed, and Quincy Troupe.
The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century.
... NeoHooDoo is the drum the ankh and the Dance. So Fine, Barefootin, Heard it Through The Grapevine, are all Neo-HooDoos... Neo-HooDoo borrows from Haiti Africa and South America. Neo-HooDoo comes in all styles and moods. Louis Jordan ...
“Drinking the Elixir of Ownership: Pilgrims and Improvers in the Landscapes of Annie Proulx's That Old Ace in the Hole and The Shipping News.” In The Geographical Imagination of Annie Proulx: Rethinking Regionalism, edited by Alex Hunt, ...
... Neo-HooDoo Slave Narrative.” Narrative 2, no. 2 (1994): 112–139. Rushdy, Ashraf H. A. “Neo-Slave Narrative.” In The Oxford Companion to African American Literature, edited by William L. Andrews, Frances Smith Foster, and Trudier Harris ...
After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at ...
A comprehensive, all-new collection bringing together the most thoughtful, inspiring, and wisest voices from the Black diaspora across history. Bartlett's Familiar Black Quotations paints a rich canvas of Black history through time.
First published in 1990, Michele Wallace’s Invisibility Blues is widely regarded as a landmark in the history of black feminism.
"This book examines the character of New World black cultures and their relationships with the plural societies within which they function.
A Review of "Ethnopoetics" Victor Turner has been a major and highly influential anthropologist since the late 1950s. His contributions to symbolic anthropology and to a unified theory of performance include concepts of liminality and ...
The University of California Book of Modern and Postmodern Poetry Volume Two: From Postwar to Millennium Habib Tengour, University of California ... ABSOLUTELY 1... Joseph KADSURA '... YES 1... Oh No, no !... It doesn't ring a bell !