From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema, and art, the gothic has embraced the powers of horror and the erotic macabre. “Gothic” is an epithet with a strange history – evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal symbol of rebellion for a wide range of cultural outsiders.
Popularly associated with black-clad teenagers and rock musicians, gothic fashion encompasses not only subcultural styles (from old-school goth to cyber-goth and beyond) but also high fashion by such designers as Alexander McQueen, John Galliano of Christian Dior, Rick Owens, Olivier Theyskens, and Yohji Yamamoto. Fashion photographers, such as Sean Ellis and Eugenio Recuenco, have also drawn on the visual vocabulary of the gothic to convey narratives of dark glamour. As the text and lavish illustrations in this book suggest, gothic fashion has deep cultural roots that give it an enduring potency.
French cathedrals and Gothic architecture. This essay seeks to understand Gothic architecture as an image, more precisely, as the representation of supernatural reality.
In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commidity, digging through the populist ...
In Teaching the Gothic, edited by Anna Powell and Andrew Smith, 29-47. Basingstoke: Palgrave, 2006. ... 1: 109-11. "Horrid” (Northanger) Novels Glock, Waldo S. ”Catherine Morland's Gothic Delusions: Bibliography 287.
Previous ed. published in 2009 by Leisure Books.
In the fairy tale pastiche, 'The Curse of the Gargoyle Queen', John Gebbia frames the page with ornate borders featuring angels and roses or gargoyles and thorns depending on whether good or evil is uppermost in the story (Valentino and ...
This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M.R. James. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.
The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as ...
Elizabeth Rigby, The Quarterly Review, 84 (December 1848), 173‒4, quoted in Gilbert and Gubar, Madwoman in the Attic, p. 337. Margaret Oliphant, Blackwood's Magazine, 77 (May 1855), 554‒68, quoted in Gilbert and Gubar, Madwoman in the ...
Traces the development of the Gothic style of architecture in France and examines the designs of French cathedrals and churches
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY ...